Wrecking
We ate, maybe. We might have seen a movie. Later, there was a Southern
California warm breeze we’d grown up with coming through. He showed
me a photograph of him eating flapjacks in Santa pajamas. I slept hard into
Wrecking
We ate, maybe. We might have seen a movie. Later, there was a Southern
California warm breeze we’d grown up with coming through. He showed
me a photograph of him eating flapjacks in Santa pajamas. I slept hard into

Environmental woes are nothing new to Los Angeles.
“Nineteen-fifties L.A. was a pretty horrible place to be breathing,” said Paul Wennberg to the crowd at the Huntington Library. Pollution was high. Students moving in the fall wouldn’t realize the San Gabriel Mountains existed until the winter. Protests arose across town, including in Pasadena.
The Aid Trap: Hard Truths About Ending Poverty
by R. Glenn Hubbard and William Duggan
—Reviewed by Angilee Shah
In 2006, Warren Buffet made a $31 billion gift to the Gates Foundation. He explained the generous donation this way: “A market system has not worked in terms of poor people.”
R. Glenn Hubbard and William Duggan, the dean and a senior lecturer at Columbia Business School, turn Buffet’s assertion on its head in The Aid Trap. Free markets, they say, are not the cause of poverty. Indeed, the market system and strong private business sectors are the solution to poverty.
by Mark Strand
For us, too, there was a wish to possess
Something beyond the world we knew, beyond ourselves,
Beyond our power to imagine, something nevertheless
In which we might see ourselves, and this desire
Came always in passing, in waning light, and in such cold
That ice on the valley’s lakes cracked and rolled,
And blowing snow covered what earth we saw
Stephen T. Asma, a professor of philosophy at Columbia College, took up monsters by way of natural history museums, the subject of his last book, where he found “anything from pickled fetuses in jars to bizarre twinning, things with two heads.” His latest book, On Monsters: An Unnatural History of Our Worst Fears, takes on a subject timely not just because of Halloween, but also because of the vampires and zombies appearing everywhere in popular culture. “Vampires are always sort of charming and upper class, and they’re kind of hot,” Asma said, explaining our dual fascination. “Zombies really represent the lowest common denominator. We’re in the middle of these two classes — we have bourgouis desires to be vampires, and we want to avoid the proletarian monsters, the zombies.” Below, he analyzes for Zócalo some lesser-known monsters and monster myths, and explains why we’re still afraid.