Archive for February, 2010

Two Good Shoes

Posted By Zócalo On February 11, 2010

by Jenny Liou

I’m worried about surviving
because it hasn’t happened as we’d hoped.
I wanted the guilt of excess absolved

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The Language of Pain

Posted By Zócalo On February 11, 2010

The Language of Pain, by David Biro

The Language of Pain: Finding Words, Compassion, and Relief
by David Biro

Pain is universally felt but poorly articulated….

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Why the French Don’t Like Headscarves

Posted By Zócalo On February 10, 2010

Why the French Don't Like Headscarves, by John R. Bowen

Why the French Don’t Like Headscarves: Islam, the State, and Public Space
By John R. Bowen

Americans share with the French an ideal of religious freedom. But last month, France considered a law ….

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Marketing in the Age of the Niche

Posted By Zócalo On February 9, 2010

No Size Fits All, by Tom Hayes and Michael Malone

No Size Fits All: From Mass Marketing to Mass Handselling
by Tom Hayes and Michael S. Malone

In the movies, all it takes to crack the in-crowd is one savvy make-over….

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Joyce Appleby on Capitalism’s History

Posted By Zócalo On February 8, 2010

Joyce Appleby, author of The Relentless Revolution: A History of Capitalism, stopped by Zócalo’s offices to explain why capitalism is a cultural system rather than a purely economic one. She chats with Zócalo about pinpointing where and when capitalism began, what caused it to flourish, and whether it’s a good thing.

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Articles

Feuilleton
Friday, December 3, 2010
How One Family Created Chinese America
Zócalo

The Lucky Ones, by Mae Ngai The Lucky Ones: One Family and the Extraordinary Invention of Chinese America by Mae Ngai Hyphenated cultures seem to be a natural part of California’s landscape today, but it wasn’t always so. The Lucky Ones by Mae Ngai offers a fresh look at California history by reconstructing the lives of immigrant and second generation pioneers who lived between cultures when it was not such a common phenomenon. Ngai’s narrative brings Chinese Americans into a richer tradition of historical storytelling by humanizing an ambivalent, middle-class immigrant family, situating their lives within the more well-known histories of Chinese laborers and those who suffered from the 1882 Exclusion Act.

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