Archive for September, 2011

I See Nude People

Posted By Zócalo On September 22, 2011

By Steven Hill

Last October, in Oslo, amid rainfall and the first cold breaths of winter, I ventured outside to a place I knew I had to revisit: Oslo’s Frogner Park, home to an amazing collection called the Vigeland sculptures. I first encountered them several years ago and found myself almost religiously moved. Returning to see them, I was again overwhelmed…

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Our Insanely Direct Democracy

Posted By Zócalo On September 21, 2011

Some say you can never have too much wealth or too much good health, but can you have too much democracy?

California has one of the world’s most robust systems for allowing citizens to propose laws directly to voters, bypassing elected officials…

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Hey, Who Stole My Comfortable Bohemian Future?

Posted By Zócalo On September 21, 2011

by Calvin Alvarez

I had a lot of fun in college.

It wasn’t so much the drinking, the partying, the first taste of freedom, or the drug experimentation—not that those were unappreciated.

It was the peace of mind…

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Our Lady of the Locusts

Posted By Zócalo On September 21, 2011

by Sarah Maclay

I had thought for many years

that they were birds.

That she gathered sticks…

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The Thousand-Mile Mark

Posted By Zócalo On September 20, 2011

I am there. Well, almost there. I’m about six miles short of one thousand. I’m not sure what the average guy walks in a year, but I think it’s safe to say I’ve walked more than him. So pardon me if I gloat a little…

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Articles

Feuilleton
Friday, December 3, 2010
How One Family Created Chinese America
Zócalo

The Lucky Ones, by Mae Ngai The Lucky Ones: One Family and the Extraordinary Invention of Chinese America by Mae Ngai Hyphenated cultures seem to be a natural part of California’s landscape today, but it wasn’t always so. The Lucky Ones by Mae Ngai offers a fresh look at California history by reconstructing the lives of immigrant and second generation pioneers who lived between cultures when it was not such a common phenomenon. Ngai’s narrative brings Chinese Americans into a richer tradition of historical storytelling by humanizing an ambivalent, middle-class immigrant family, situating their lives within the more well-known histories of Chinese laborers and those who suffered from the 1882 Exclusion Act.

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