Poems

Damariscotta

January 5, 2012

by D. Nurkse

1
How we loved to create a world.

Out of gray we made the pin-oak leaves
with their saw teeth and odd waxy sheen,
dry and matte to the touch, out of granite
we made the marriage house, and always
we added a flaw which we called fire
or time or the stranger.

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Poems: Archives

So Long, 2011

One Could Do Worse—Than Set the Year That Was To Verse

On December 28, 2011

by Sarah Rothbard

We’re closing the books on 2011 at Zócalo,
So a year-end poem seemed apropos.
We might have gone Roger-Angell-style,
Marching the year’s guests in single file,
Rhyming Steven Brill and Brad Cloepfil, Dakin Sloss and Andrew Ross,
But what to do with Evgeny Morozov? We might be at a loss.
So we’ll simply salute the year’s passing—by no means completely—
With unmetered verse that rhymes somewhat neatly. …

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Calendar

On December 22, 2011

by Marc Malandra

Why are our lives so full of things
that didn’t happen? We carry
phantom luggage of journeys
we never took, leave futures …

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Bright Morning

On December 15, 2011

by Chris Davidson

Bright morning wakes me through
A drapeless window. Away from kids

And wife for the weekend, the bed
Is quiet, the room unpressurized, …

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Agave Maria

On December 8, 2011

by Barbara Cully

Where birds
listen intently
a garden gate stands amid a plain triganomaly.

          the oldest living life forms are chaparral

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Articles

Feuilleton
Friday, December 3, 2010
How One Family Created Chinese America
Zócalo

The Lucky Ones, by Mae Ngai The Lucky Ones: One Family and the Extraordinary Invention of Chinese America by Mae Ngai Hyphenated cultures seem to be a natural part of California’s landscape today, but it wasn’t always so. The Lucky Ones by Mae Ngai offers a fresh look at California history by reconstructing the lives of immigrant and second generation pioneers who lived between cultures when it was not such a common phenomenon. Ngai’s narrative brings Chinese Americans into a richer tradition of historical storytelling by humanizing an ambivalent, middle-class immigrant family, situating their lives within the more well-known histories of Chinese laborers and those who suffered from the 1882 Exclusion Act.

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